emanuel gat dance

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Talking

The choreographic process, as well as the dancing of it, doesn’t react well to talking. It requires looking, listening, being and doing as its main developing, examining and reflecting tools. Talking creates cracks in the perception of the choreographic/dancing thing (not the ones from where the light shines through, but rather those who fragilise the whole) and therefor, should be used with caution and moderation.