DANCERS

 
Annie Hanauer was born in USA. She completed a Bachelor of Fine Arts in Dance from the University of Minnesota, before moving to London to join Candoco companyin 2008. Her first performance with Candoco was at the Beijing Olympics. She worked with Lea Anderson on the solo Miniatures in 2013. In addition to her work with the company, she has performed in works by Bebe Miller, Pat Graney, Michael Sommers, Morgan Thorson and Karen Sherman, among others, and has dabbled in theatre and performance art. In 2013 Annie joined Rachid Ouramdane’s company. She started collaborating with Emanuel Gat in 2015.

Annie Hanauer was born in USA. She completed a Bachelor of Fine Arts in Dance from the University of Minnesota, before moving to London to join Candoco companyin 2008. Her first performance with Candoco was at the Beijing Olympics. She worked with Lea Anderson on the solo Miniatures in 2013. In addition to her work with the company, she has performed in works by Bebe Miller, Pat Graney, Michael Sommers, Morgan Thorson and Karen Sherman, among others, and has dabbled in theatre and performance art. In 2013 Annie joined Rachid Ouramdane’s company. She started collaborating with Emanuel Gat in 2015.

Pansun Kim was born in South Korea in 1981 and started dancing at the age of 18. Between 2000 and 2006 he studied at the National University of Artists in South Korea. Since then he has worked for various companies in Seoul including the Laboratory Dance Project. Pansun started collaborating with Emanuel Gat in 2008.

Pansun Kim was born in South Korea in 1981 and started dancing at the age of 18. Between 2000 and 2006 he studied at the National University of Artists in South Korea. Since then he has worked for various companies in Seoul including the Laboratory Dance Project. Pansun started collaborating with Emanuel Gat in 2008.

Anastasia Ivanova was born in St Petersburg, Russia. She graduated from the University for Music and Performing Arts Frankfurt at the department of Contemporary and Classical Dance (ZuKT) in 2012. She worked as an apprentice with The Forsythe Company (2013), and with the Kibbutz Contemporary Dance Company (2011). She has participated in a variety of international projects and workshops. She started collaborating with Emanuel Gat in 2015.

Anastasia Ivanova was born in St Petersburg, Russia. She graduated from the University for Music and Performing Arts Frankfurt at the department of Contemporary and Classical Dance (ZuKT) in 2012. She worked as an apprentice with The Forsythe Company (2013), and with the Kibbutz Contemporary Dance Company (2011). She has participated in a variety of international projects and workshops. She started collaborating with Emanuel Gat in 2015.

 
Genevieve Osborne was born in 1980 in Australia. She completed her dance training at the Queensland University of Technology, Australia, in 1999.  Dancing briefly in Australia with the 'Direct Dance Current Initiative', she then based herself in Europe.  She spent a few years dancing for the International dance Theater, after which she joined Ballet Linz, in Austria.  Since then, she has freelanced for various choreographers around Europe, including, Zappala Danza, Batsheva / Riksteatern, Pedro Goucha, Isabelle Chaufaud, Amos Ben-Tal, Edan Gorlicki  and Itamar Serussi-Sahar. Genevieve started collaborating with Emanuel Gat in 2010.

Genevieve Osborne was born in 1980 in Australia. She completed her dance training at the Queensland University of Technology, Australia, in 1999.  Dancing briefly in Australia with the 'Direct Dance Current Initiative', she then based herself in Europe.  She spent a few years dancing for the International dance Theater, after which she joined Ballet Linz, in Austria.  Since then, she has freelanced for various choreographers around Europe, including, Zappala Danza, Batsheva / Riksteatern, Pedro Goucha, Isabelle Chaufaud, Amos Ben-Tal, Edan Gorlicki  and Itamar Serussi-Sahar. Genevieve started collaborating with Emanuel Gat in 2010.

Michael Löhr was born in 1982 in Germany and started dancing at the age of five. After finishing his dance studies at the Cologne University of Music and Dance, he joined Germany’s Tanztheater Bielefeld and Tanzcompagnie Oldenburg. In 2005 he received a scholarship from the Goethe Institute to study at the annual summer academy in Kyoto, Japan. He has worked with Guy Weizman, Roni Haver, Gregor Zoellig, Lionel Hoche, Shlomi Bitton, Jo Strømgren, Jan Pusch, Rami Be’er, and Ingun Bjørnsgaard. He Started collaborating with Emanuel Gat in 2008.

Michael Löhr was born in 1982 in Germany and started dancing at the age of five. After finishing his dance studies at the Cologne University of Music and Dance, he joined Germany’s Tanztheater Bielefeld and Tanzcompagnie Oldenburg. In 2005 he received a scholarship from the Goethe Institute to study at the annual summer academy in Kyoto, Japan. He has worked with Guy Weizman, Roni Haver, Gregor Zoellig, Lionel Hoche, Shlomi Bitton, Jo Strømgren, Jan Pusch, Rami Be’er, and Ingun Bjørnsgaard. He Started collaborating with Emanuel Gat in 2008.

Milena Twiehaus was born in 1984 in Germany. After completing her dance training at the Royal Conservatory in Holland and The Juilliard School in New York, she spent a few years working in several small companies in Europe, followed by dancing with the Batsheva Ensemble in Tel Aviv. Since leaving Israel, she has freelanced with various choreographers in Europe, including Karine Guizo, Edan Gorlicki, Amos Ben-Tal and Itamar Serussi-Sahar. She started collaborating with Emanuel Gat in 2012.

Milena Twiehaus was born in 1984 in Germany. After completing her dance training at the Royal Conservatory in Holland and The Juilliard School in New York, she spent a few years working in several small companies in Europe, followed by dancing with the Batsheva Ensemble in Tel Aviv. Since leaving Israel, she has freelanced with various choreographers in Europe, including Karine Guizo, Edan Gorlicki, Amos Ben-Tal and Itamar Serussi-Sahar. She started collaborating with Emanuel Gat in 2012.

 
Sara Wilhelmsson was born in 1982 in Sweden. As an apprentice at Danceworks, the Netherlands, she worked with various choreographers such as Ton Simons, Bruno Listopad and Philip Adams before graduating from the Rotterdam Dance Academy,the Netherlands in 2004.  Sara spent a period freelancing in Thailand and the Netherlands before moving to Israel in 2006 where she worked with the Kibbutz Contemporary Dance Company and thereafter Yasmeen Godder. Started collaborating with Emanuel Gat in 2013.

Sara Wilhelmsson was born in 1982 in Sweden. As an apprentice at Danceworks, the Netherlands, she worked with various choreographers such as Ton Simons, Bruno Listopad and Philip Adams before graduating from the Rotterdam Dance Academy,the Netherlands in 2004.  Sara spent a period freelancing in Thailand and the Netherlands before moving to Israel in 2006 where she worked with the Kibbutz Contemporary Dance Company and thereafter Yasmeen Godder. Started collaborating with Emanuel Gat in 2013.

Tom Weinberger was born in Israel in 1987. He graduated from the Amal School of Arts and Sciences and joined the Batsheva Ensemble in 2005. He continued to the Batsheva Dance Company from 2008 to 2011. In 2012, Tom began freelancing and worked with Barak Marshall, as well as Company E in Washington, DC as rehearsal director. Recently, he was a guest artist with Michael Keegan Dolan’s-Fabulous Beast Dance Theater and with the Batsheva Dance Company. He has been teaching for 8 years both Gaga and Ohad Naharin’s repertory in schools such as the Netherlands Dance Theater Summer Program, the San Francisco Conservatory of Dance, the Taipei National University. He started collaborating with Emanuel Gat in 2015.

Tom Weinberger was born in Israel in 1987. He graduated from the Amal School of Arts and Sciences and joined the Batsheva Ensemble in 2005. He continued to the Batsheva Dance Company from 2008 to 2011. In 2012, Tom began freelancing and worked with Barak Marshall, as well as Company E in Washington, DC as rehearsal director. Recently, he was a guest artist with Michael Keegan Dolan’s-Fabulous Beast Dance Theater and with the Batsheva Dance Company. He has been teaching for 8 years both Gaga and Ohad Naharin’s repertory in schools such as the Netherlands Dance Theater Summer Program, the San Francisco Conservatory of Dance, the Taipei National University. He started collaborating with Emanuel Gat in 2015.

Ashley Wright was born in 1987 in Sydney, Australia. She joined the Royal Ballet of Flanders in 2006 at the age of 18 after graduating from the Australian Ballet School. In 2010, her work won second prize at the Audience Choice Award at the Copenhagen International Choreographic Competition and was featured in the Interdans Festival, Belgium 2011. In July 2012, she joined the Lyon Opera Ballet. She started collaborating with Emanuel Gat in 2015.

Ashley Wright was born in 1987 in Sydney, Australia. She joined the Royal Ballet of Flanders in 2006 at the age of 18 after graduating from the Australian Ballet School. In 2010, her work won second prize at the Audience Choice Award at the Copenhagen International Choreographic Competition and was featured in the Interdans Festival, Belgium 2011. In July 2012, she joined the Lyon Opera Ballet. She started collaborating with Emanuel Gat in 2015.

 
Eddie Oroyan was born in Honolulu, Hawaii. He started dancing in university in Stevens Point, Wisconsin. After graduating he danced with Creach/Company in NYC for a short while before moving to Minneapolis, MN. There he stopped dancing for a few years to pursue a masters in English education and a teaching license, but was pulled back into dancing. His experience spans Shapiro & Smith, ARENA Dances , Zenon, Andrea Miller, Roberto Olivan and he was a founding BLM mover and Artistic Associate for company Black Label Movement. Oroyan is also an active choreographer. Much of his work has been created and viewed in Minneapolis, MN, but recently premiered a solo at P12 Space in Brussels and his most recent collaborations were presented at American Dance Festival 2014(w/ Carl Flink) and Zürich Tanzt 2015(w/ Rakesh Sukesh). Eddie is currently developing a duet with Natalia Pieczuro.

Eddie Oroyan was born in Honolulu, Hawaii. He started dancing in university in Stevens Point, Wisconsin. After graduating he danced with Creach/Company in NYC for a short while before moving to Minneapolis, MN. There he stopped dancing for a few years to pursue a masters in English education and a teaching license, but was pulled back into dancing. His experience spans Shapiro & Smith, ARENA Dances , Zenon, Andrea Miller, Roberto Olivan and he was a founding BLM mover and Artistic Associate for company Black Label Movement. Oroyan is also an active choreographer. Much of his work has been created and viewed in Minneapolis, MN, but recently premiered a solo at P12 Space in Brussels and his most recent collaborations were presented at American Dance Festival 2014(w/ Carl Flink) and Zürich Tanzt 2015(w/ Rakesh Sukesh). Eddie is currently developing a duet with Natalia Pieczuro.

Karolina Szymura was born in 1987 in Poland. Trained at the State Ballet school in Bytom, she graduated from Codarts Rotterdamse Dansacademie where she did her internship with Piet Rogie. After graduation, Karolina joined Noord Nederlandse Dans, where she danced choreographies by Stephen Shropshire, Emanuel Gat, Andrea Miller, Itzik Galili, Roy Assaf and many more. Katerina worked for Thomas Noon Dance in Barcelona and is currently freelancing in Germany, performing pieces by Alexandra Waierstall and Felix Laderer.

Karolina Szymura was born in 1987 in Poland. Trained at the State Ballet school in Bytom, she graduated from Codarts Rotterdamse Dansacademie where she did her internship with Piet Rogie. After graduation, Karolina joined Noord Nederlandse Dans, where she danced choreographies by Stephen Shropshire, Emanuel Gat, Andrea Miller, Itzik Galili, Roy Assaf and many more. Katerina worked for Thomas Noon Dance in Barcelona and is currently freelancing in Germany, performing pieces by Alexandra Waierstall and Felix Laderer.

Thomas Bradley was born in 1990 in Cootamundra NSW, where he received his early training in Jazz and Ballet. From 2009-11 Thomas trained at the NZ School of Dance. In 2012, Thomas joined Sydney Dance Company where he remained for three years. Since 2015, Thomas has worked as an independent artist based in Sydney. He received a professional development fellowship from the Tanja Liedtke Foundation, and also studied with renowned butoh company Sankai Juku. Thomas was a nominee for Outstanding Male Dancer, at the 2015 Australian Dance Awards. As an emerging choreographer, Thomas has created numerous short works including cnoditions of entry for NZ School of Dance, solo fromform for NZ Festival of Dance, corporare for SDC Pre Professional Year and dance and other lies for Transit Dance. Thomas electronically composes all scores for his movement pieces. Thomas joined Australian Dance Theatre in 2016 for a three month contract, and also premiered Mortal Condition, an independent work, with Australian choreographer Larissa McGowan and Kiahlea Nadine Williams. In late 2016, Thomas completed two research residencies through AusDance NSW and ReadyMade Studios. This investigation into the choreography of Beyonce produced a new short solo work from beyoncé; a recurrent deconstructing and reimagining of popular choreography which premiered at 107 Projects, Sydney Australia in March 2017.

Thomas Bradley was born in 1990 in Cootamundra NSW, where he received his early training in Jazz and Ballet. From 2009-11 Thomas trained at the NZ School of Dance. In 2012, Thomas joined Sydney Dance Company where he remained for three years. Since 2015, Thomas has worked as an independent artist based in Sydney. He received a professional development fellowship from the Tanja Liedtke Foundation, and also studied with renowned butoh company Sankai Juku. Thomas was a nominee for Outstanding Male Dancer, at the 2015 Australian Dance Awards. As an emerging choreographer, Thomas has created numerous short works including cnoditions of entry for NZ School of Dance, solo fromform for NZ Festival of Dance, corporare for SDC Pre Professional Year and dance and other lies for Transit Dance. Thomas electronically composes all scores for his movement pieces. Thomas joined Australian Dance Theatre in 2016 for a three month contract, and also premiered Mortal Condition, an independent work, with Australian choreographer Larissa McGowan and Kiahlea Nadine Williams. In late 2016, Thomas completed two research residencies through AusDance NSW and ReadyMade Studios. This investigation into the choreography of Beyonce produced a new short solo work from beyoncé; a recurrent deconstructing and reimagining of popular choreography which premiered at 107 Projects, Sydney Australia in March 2017.

 
Robert Bridger was born in Wiltshire, U.K. in 1993. He started his training at the Swindon Dance Center for Advance Training from where he continued his training and study at Rambert School of Ballet and Contemporary Dance. He has previously worked with choreographers and contemporary dance companies including Alexander Whitley Dance Company, Protein Dance, Saju Hari Dance and Hubert Essakow at The Print Room. Robert has also performed in gallery spaces such as Dulwich Picture Gallery, and  in Pablo Bronstein’s piece at the Tate Britain. He strongly supports the work of Dance for Parkinson’s and has been assisting classes around the U.K.

Robert Bridger was born in Wiltshire, U.K. in 1993. He started his training at the Swindon Dance Center for Advance Training from where he continued his training and study at Rambert School of Ballet and Contemporary Dance. He has previously worked with choreographers and contemporary dance companies including Alexander Whitley Dance Company, Protein Dance, Saju Hari Dance and Hubert Essakow at The Print Room. Robert has also performed in gallery spaces such as Dulwich Picture Gallery, and  in Pablo Bronstein’s piece at the Tate Britain. He strongly supports the work of Dance for Parkinson’s and has been assisting classes around the U.K.

Daniela Zaghini was born in 1990 in Italy. She started dancing at the age of eight compleeting her training at Rudra Bèjart school in Lausanne and participating in several pieces of Bèjart Ballet Lausanne. In 2008 she entered the Ballet du Rhin in France before joining in 2010 the Geneva Ballet in Switzerland for five years. Since then she has freelanced with Cindy Van Acker and Inkörper Company. She Started collaborating with Emanuel Gat in 2015.

Daniela Zaghini was born in 1990 in Italy. She started dancing at the age of eight compleeting her training at Rudra Bèjart school in Lausanne and participating in several pieces of Bèjart Ballet Lausanne. In 2008 she entered the Ballet du Rhin in France before joining in 2010 the Geneva Ballet in Switzerland for five years. Since then she has freelanced with Cindy Van Acker and Inkörper Company. She Started collaborating with Emanuel Gat in 2015.

Péter Juhász was born in Hungary in 1987. After Budapest Contemporary Dance Academy, Peter furthered his studies at Salzburg Experimental Academy of Dance. He worked with choreographers such as Roberto Olivan, Eleonore Valere, Frank Michelletti and Tamas Bako. In 2013, Peter joined the new creation of the Belgian company Les Ballets C de la B and a year later, the cooproduction project of Ultima Vez and Mate Meszaros. Currently, Peter is touring with latest piece of Thierry De Mey (Charleroi Danses) and will join the new creation of Emanuel Gat Dance from 2017. In the past few years, Peter has been invited as guest teacher to international dance workshops and to dance companies in Croatia, France, Spain, Belgium and Greece. In 2012, he founded the SUB.LAB Collective in Budapest with Adrienn Acs and David Miko, the organiser team of IDW Budapest where Peter is working as a co-founder/co-organiser. 

Péter Juhász was born in Hungary in 1987. After Budapest Contemporary Dance Academy, Peter furthered his studies at Salzburg Experimental Academy of Dance. He worked with choreographers such as Roberto Olivan, Eleonore Valere, Frank Michelletti and Tamas Bako. In 2013, Peter joined the new creation of the Belgian company Les Ballets C de la B and a year later, the cooproduction project of Ultima Vez and Mate Meszaros. Currently, Peter is touring with latest piece of Thierry De Mey (Charleroi Danses) and will join the new creation of Emanuel Gat Dance from 2017. In the past few years, Peter has been invited as guest teacher to international dance workshops and to dance companies in Croatia, France, Spain, Belgium and Greece. In 2012, he founded the SUB.LAB Collective in Budapest with Adrienn Acs and David Miko, the organiser team of IDW Budapest where Peter is working as a co-founder/co-organiser.