Choreographic structures are like cars. They're just potentials waiting to be driven. I like to bring dancers to a place where they are both comfortable with driving them, and have the knowledge on how to do so, rather than remote control them.
Choreographic structures are like cars. They're just potentials waiting to be driven. I like to bring dancers to a place where they are both comfortable with driving them, and have the knowledge on how to do so, rather than remote control them.
