Creating movement material is usually the first, yet not the most important step in the work. Studying it, selecting, and understanding how this material will be used in the context of choreographic constellations, is where I feel the work happens.
Creating movement material is usually the first, yet not the most important step in the work. Studying it, selecting, and understanding how this material will be used in the context of choreographic constellations, is where I feel the work happens.