One of the most harmful phenomenas in the dance world, yet rather a very common one, is individuals who think their own specific way of moving should be turned into a generic technique, and be thought/imposed  as such to dancers. The damages, both physical and mental of this prevailing way of thinking about dance, are immeasurable. 

ImImitation offers a very limited space for learning, and it’s a sure way to stifle any form of creativity in students/dancers. 

The worrying fact most dancers are attracted to those kind of ‘tchniques’, has more to do with the general education system than dance in particular. ’