Energy can’t be created nor destroyed, it can only be transformed from one state to another.
In that sense, choreographies serve as transformers of human energy.
The quality of a choreographic work, is tied to its ability to maximize its conductivity properties, so when dancer’s energy is transformed through space and time by the choreographic thing, it compresses and appreciates rather than deflates and depreciates.
In other words, it’s not about how hard the dancers are working and how much energy they put in, it’s about how efficient the choreographic system is in harnessing, compressing, channelling and directing their energy, while it’s transforming it into its artistic state.
