Falling in love with one’s material, doesn’t allow to judge it in the context of the entire piece. Deleting extremly good chunks of choreography, becouse they make no sense in relations to the larger context, should be a daily practice.
Falling in love with one’s material, doesn’t allow to judge it in the context of the entire piece. Deleting extremly good chunks of choreography, becouse they make no sense in relations to the larger context, should be a daily practice.