Can sound serve as a vehicle for thought? Or an observation tool? What happens when the space between the visual and auditory is stretched? Can that space be choreographed? How might musicality inform us about networks, systems, social structures or individual behavior? Can group musicality have anthropological qualities? Is the LIVE aspect of theater a myth? Is it at all attainable? Plage Romantique is a playful examinations of these questions as well as many others, harnessing the effectiveness of the choreographic process as a revelatory means.